Livestream 3: Comedies & Oddities

The NSFF presents, in collaboration with Eye Filmmuseum and Pand P theatre, a third (and for the time being last) livestream on YouTube. Friday 26 June, festival director Daan van den Hurk (piano) will not only musically accompany silent comedies, but also specially selected ‘oddities’; short animated films, scenes from everyday life, living toys, and travelogues.

The livestream won’t be available on the replay, so the only way to see it is at 8 PM local (Dutch) time, which is 7 PM in the UK and 2 PM in New York. Visit our YouTube channel to bookmark the stream.

After a brief introduction, the following films will be shown:

 

COMPILATION
approx. 1920
Compilation of a diverse array of topics, including pets doing tricks, living toys, birds and squirrels in parks in London, and pelicans in California.

LEA SUI PATTINI / LEA SKATING
IT, 1911
Lea’s (Lea Giunchi) parents forbid her to rollerskate, but she’s going to do it anyway. She escapes through the window and heads off to the rollerskate palace. Unfortunately, she’s not very well trained, so from the moment she’s wearing her rollerskates, she turns into a danger to herself and others.

KOKO BACK TRACKS
USA, 1926
Koko the Clown appears out of the ink well and jumps onto the page of animator Max Fleischer. When the ink well tumbles over, angry Koko decides to turn back time. KOKO BACK TRACKS is a short animated film, combined with live-action.

LE PARC NATIONAL DE YELLOWSTONE
FR, 1917
The first and second part (out of a total of four parts) about geysers and water sources in Yellowstone Park.

LANDSCAPES IN COLOR
FR, 1917
Scenes in color, capturing life in Sevilla, Spain, the Auvergne in France, the Tanger harbor in Morocco, and the Rocky Mountains.

VOLENDAM, ONE OF THE MOST PECULIAR VILLAGES IN THE WORLD
NL, 1923
Images from the fishing port in Volendam, repairing nets, everyday life and going to church on Sunday.

LIZZIES OF THE FIELD
USA, 1924
Slapstick comedy about the rivalry between two auto repair shops – garage ‘Red Dog’ and garage ‘Black Cat’ – which culminates during a cross-country car race.

 

All films belong to the Eye collection, and all Dutch title cards will be subtitled in English.

The livestream is free. Click the link and you have a front row seat. Anyone who wants to support us financially, there’s the possibility to do that via Geef.nl and it’s much appreciated.

Livestream 2: Silent Comedies (29 May 2020)

Following the success of our first ever livestream on May 8, the NSFF – together with Eye Filmmuseum and Pand P theatre – presents a second comedy livestream on Friday 29 May 2020. Daan van den Hurk (piano) will once again accompany five silent comedy shorts live! (There will also be a few other surprises, but you have to tune in to find out what they are.)

We will open our livestream on Friday 29 May at 8 PM local time, which means 7 PM in the UK, and 2 PM in New York. (Go to our YouTube channel to bookmark the stream in advance.) After a brief introduction, the following films will be shown:

UN DÉJEUNER QUI NE PROFITE GUÈRE / A HARDLY BENEFICIAL LUNCH
FR, 1911
A hungry vagabond (Maurice Schwartz) steals somebody’s meal from under their nose, which leads to a crazy pursuit – and ends in quite an absurd way.

LA PEUR DES OMBRES / FEAR OF SHADOWS
FR, 1911
Split screens are not a new thing, because as far back as 1911 they were experimenting with this technique!

STAMBOUL ET LA CORNE D’OR / ISTANBUL AND THE GOLDEN HORN
FR, 1912
Scenes showing daily life in Turkey, 1912, mainly around Istanbul – which at the time was still called Constantinople.

ROBINET CHAUFFEUR MIOPE / TWEEDLEDUM, A SHORT-SIGHTED CHAUFFEUR
IT, 1914
A hundred years ago, silent films having the main character (Marcel Fabré) drive a car which destroys everything in its path were very popular. This time, it will cost the driver nearly everything he owns.

BEAUTY À LA MUD
USA, 1926
Jimmy Adams will do anything to get near the daughter of the owner of a beauty salon. He pretends to be the famous Monsieur Brilliantine to get into the door, but when he’s asked to treat a woman’s warts, the wart problem spirals out of control.

 

Just like last time, we’ve selected films that thematically fit the current times. Depending on your location, most shorts deal with professions that may or may not be allowed to be carried out again. Barbershops may find some inspiration in STAMBOUL ET LA CORNE D’OR, in which people are getting haircuts in the open air.

The films belong to the Eye collection, and all Dutch titles will have English subtitles.

Please note: this live event cannot be watched on the replay! Copyright allows us to show these films only once.

The livestream is free for everybody. Just click the link and you have a front row seat. Anyone who wants to show their appreciation, it’s possible to support us financially through Geef.nl.

Livestream: Silent Comedies

The NSFF presents, in cooperation with EYE Filmmuseum and theatre Pand P, a special livestream! We will show five silent comedies, which will be musically accompanied live by Daan van den Hurk (piano).

A comfy couch and an internet connection; that’s all you need to attend this special event. Friday evening, May 8, 2020, at 8:00 PM local time (7:00 PM in the UK), we will open the livestream (on our own NSFF YouTube channel). After a brief introduction, the following silent films will be shown:

 

LE BATEAU DE LÉONTINE (FR, 1911)

MES VOISINS FONT DANSER / REPOS IMPOSSIBLE (FR, 1908)

ZIGOTO PROMÈNE SES AMIS (FR, 1912)

LA VENGEANCE DU SERGENT DE VILLE (FR, 1913)

A BANKRUPT HONEYMOON (USA, 1926)

 

Given the pandemic, and the measures that are being taken because of it, we’ve selected films that thematically fit our current circumstances. Like LE BATEAU DE LÉONTINE, in which Léontine shows us how easy it is to enjoy yourself while being stuck at home – as long as you flood your entire house. In MES VOISINS FONT DANSER and LA VENGEANCE DU SERGENT DE VILLE we see neighbours who do not necessarily get along with each other. The roads are practically empty, and although ZIGOTO is one of the first people to own an automobile, this vehicle has got a will of its own. And in A BANKRUPT HONEYMOON (without Laurel, but wíth Oliver Hardy) we’re shown an alternative for going to a restaurant: a restaurant in motion.

The films belong to the EYE collection, and all Dutch titles will have English subtitles.

Take note: it won’t be possible to watch this live event on replay! Because of copyrights, we can only screen these films online for one time only.